London, Conway Hall and Jackson's Lane: Two Graham Williams premières
Identifieur interne : 000553 ( Main/Exploration ); précédent : 000552; suivant : 000554London, Conway Hall and Jackson's Lane: Two Graham Williams premières
Auteurs : Martin AndersonSource :
- Tempo [ 0040-2982 ] ; 2005-07.
Abstract
Graham Williams (Welsh-born, in 1940, but long since London-based) is almost as well known as a facilitator of music as a composer in his own right — a pity, because he has things to say which are worth listening to. My first, belated, encounter with his music came in the form of an Elegy for string octet, premièred by the Artea and Pavão Quartets in the Purcell Room in May 2003, a sober and dignified essay in controlled passion, stylistically somewhere between Alban Berg and the Strauss of Metamorphosen. It was the Artea Quartet which was responsible for my next encounter with Williams' music: they gave the première of his Fourth String Quartet in the Conway Hall, Red Lion Square, London, on 21 September 2004 — the three-minute, fourth-movement scherzo trailed four days beforehand in a live performance on In Tune on BBC Radio 3.
Url:
DOI: 10.1017/S0040298205240238
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000707
- to stream Istex, to step Curation: 000707
- to stream Istex, to step Checkpoint: 000493
- to stream Main, to step Merge: 000553
- to stream Main, to step Curation: 000553
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>London, Conway Hall and Jackson's Lane: Two Graham Williams premières</title>
<author><name sortKey="Anderson, Martin" sort="Anderson, Martin" uniqKey="Anderson M" first="Martin" last="Anderson">Martin Anderson</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:BED4DF0E6F14988DB9443D2F760AF5697A8626BE</idno>
<date when="2005" year="2005">2005</date>
<idno type="doi">10.1017/S0040298205240238</idno>
<idno type="url">https://api.istex.fr/document/BED4DF0E6F14988DB9443D2F760AF5697A8626BE/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000707</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000707</idno>
<idno type="wicri:Area/Istex/Curation">000707</idno>
<idno type="wicri:Area/Istex/Checkpoint">000493</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000493</idno>
<idno type="wicri:doubleKey">0040-2982:2005:Anderson M:london:conway:hall</idno>
<idno type="wicri:Area/Main/Merge">000553</idno>
<idno type="wicri:Area/Main/Curation">000553</idno>
<idno type="wicri:Area/Main/Exploration">000553</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">London, Conway Hall and Jackson's Lane: Two Graham Williams premières</title>
<author><name sortKey="Anderson, Martin" sort="Anderson, Martin" uniqKey="Anderson M" first="Martin" last="Anderson">Martin Anderson</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2005-07">2005-07</date>
<biblScope unit="volume">59</biblScope>
<biblScope unit="issue">233</biblScope>
<biblScope unit="page" from="54">54</biblScope>
<biblScope unit="page" to="55">55</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract">Graham Williams (Welsh-born, in 1940, but long since London-based) is almost as well known as a facilitator of music as a composer in his own right — a pity, because he has things to say which are worth listening to. My first, belated, encounter with his music came in the form of an Elegy for string octet, premièred by the Artea and Pavão Quartets in the Purcell Room in May 2003, a sober and dignified essay in controlled passion, stylistically somewhere between Alban Berg and the Strauss of Metamorphosen. It was the Artea Quartet which was responsible for my next encounter with Williams' music: they gave the première of his Fourth String Quartet in the Conway Hall, Red Lion Square, London, on 21 September 2004 — the three-minute, fourth-movement scherzo trailed four days beforehand in a live performance on In Tune on BBC Radio 3.</div>
</front>
</TEI>
<affiliations><list></list>
<tree><noCountry><name sortKey="Anderson, Martin" sort="Anderson, Martin" uniqKey="Anderson M" first="Martin" last="Anderson">Martin Anderson</name>
</noCountry>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000553 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000553 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:BED4DF0E6F14988DB9443D2F760AF5697A8626BE |texte= London, Conway Hall and Jackson's Lane: Two Graham Williams premières }}
This area was generated with Dilib version V0.6.33. |